Panasonic Pro AG-HMC150 3CCD AVCHD 24fps Camcorder

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From the Manufacturer
The cooler than cool AG-HMC150 drew big crowds at the 2008 NAB Show. Why? Simply since it offers an uncommon Bang for your Buck, in a very 1/3-inch three-chip portable tapeless HD camcorder, while retaining the core versatility in the DVX100B. The HMC150 sports a 28mm lens straight out in the box plus a new PH Record mode (21 Mbps) that provides higher resolution having a host of recording formats including 24p. Add to that, amazing low light performance, long record and battery serious amounts of professional Audio capabilities with a price that will make it an instant hit which has a wide array of AV Shooters, Indie creators and Event video professionals.
Shown with optional microphone (sold separately)
The AG-HMC150 represents a major step forward in the introduction of an next generation solid state HD camera that extends the six year successful history from the popular DVX100 plus a whole lot more. The HMC150’s lightweight (lightest 1/3-inch 3CCD available), well-balanced professional design features a powerful wide-angle Leica 13X zoom lens, 24 and 30 frame progressive capture, both in 720 and 1080 formats, which makes it ideal for even advanced level projects. Designed from your clean sheet of paper with much customer input to Panasonic's product development engineers, the HMC150 sports a Die Cast Alloy chassis and a Three year warranty (upon customer registration) that further endorses its reliability.

Main Features:

Full range of HD formats: 1080/60i, 1080/30p, 1080/24p (Native); 720/60p, 720/30p, 720/24p (Native)
Higher bit-rate recording than consumer models (21 Mbps PH Mode)
Three latest design 1/3-inch CCD Progressive Imagers
13X Wide angle 28 mm lens out with the box (35mm equiv.), MOD .6 M, 72mm Ø (Shoot in confined spaces without having should buy an accessory lens)
Time Date Stamp for Legal Depositions or surveillance
Waveform Monitor, Vectorscope plus two Focus displays for accurate, quick focus
Professional XLR audio input connections
Time code (DF, NDF, REC RUN, FREE RUN) and USER BIT
HDMI out, Component Out (mini D terminal), Composite Video Out and RCA Audio Out jacks
External Time Code Link (Slave & Master Preset) uses the Composite Video Out terminal
USB 2.0 for file transfer (no need for the VTR)
3.5-inch LCD monitor displays thumbnails for quick non-linear usage of clips
Remote control connection for Zoom, Focus, Iris, and start/stop functions
14 bit A to D converter and 19 bit Image processing
Cinelike Gamma & DRS Dynamic Range Stretch (Filmaker requested features)
Three Neutral Density Filters 1/4, 1/16, 1/64
Pre-Record (3 Seconds), Digital Zoom 2X / 5X / 10X (in 1080/60i & 720/60p only)
Three User Set Buttons with 11 choices for customizing Camera to Shooter
Additional Highlights:

Using the newest in compression technology (AVC High Profile) and widely available SD memory cards since the recording media, the AG-HMC150 is as all to easy to use being a digital still camera. The content recorded for the SD card could be directly played on the growing number of affordable consumer players, including select models of Playstation 3, Blu-ray players, plasma screens and PC’s. With most NLE systems now supporting AVCHD, content can be edited and rendered to play in any type of SD or HD playback system.

Dynamic Range Stretch. With DRS ON your customer can capture better Video quality when shooting bright, halftone and dark objects inside the same frame. (Bride’s white gown details as well as the Groom’s shades of tuxedo black.) This clever circuit estimates the gamma curve and knee slope of each pixel’s brightness and applies the estimate over a real-time basis. The effect is a whole lot more accurate Video with a visually wider dynamic range.

DVX100 users want more HD in a similar form factor at a reasonable price. DVX100 users are craving for a camcorder using the same size and and key design elements but with all the increased resolution and color quality from the widescreen HD format. With Optical Image Stabilization and Manual & Auto Focus, the HMC150 appeals to some wide variety of shooters. In the brand new PH mode, the HMC150's image quality far exceeds what can be done with HDV, and at the lower bit rate. The HMC150 is simply an unbelievable value!

Enhanced Tools to create better Video. The WFM enables critical evaluation of excessive Luminance levels which can ruin a job, just like the shine on the model's forehead. The built-in Vectorscope enables color analysis and matching as it measures color saturation as gain, and Phase (Hue) because the angle. If this comes to critical focus, two 'Focus aids' take presctiption board. In addition to the Center Zoom which enlarges the guts 2X filling the entire the entire LCD screen, the Histogram display shows fine focus as Amplitude & Frequency, which makes it an easy task to see critical focus.

The feature-rich HMC150 raises the bar for video quality. As the camcorder & display market moves swiftly to High Definition, superior image quality and higher-end features are now a must-have. Panasonic is confident that this HMC150 will give customers the top quality and inventive edge they should stay before competitive shooters with SD or HDV pro camcorders. The HMC150 will meet and exceed the expectations of pros who make their living shooting video.

Professionals Need Great Audio. Two locking XLR inputs at the front, detailed with hard switches for Line and Mic with +48V Phantom Power, Manual level controls, and Internal/External assignment. Up & down volume adjustments can be made on the internal speaker or stereo headphone output.

Don't hesitate of the Dark or of your respective tape running out. With 14 bit Analog to Digital conversion and 19 bit Video processing, users can shoot in low light situations with virtiually no fear of video noise detracting in the highly detailed video. They may also just forget about the 63 minute record time limit of DV & HDV and also the need to estimate remaining battery life. The new Info Data battery system used inside the AVCCAM line up updates remaining time left for the minute.

Competitive Advantages with the AG-HMC150:
Solid state capture and playback eliminates the difficulties inherent in tape and disc drives, while allowing high quality HD content to become captured on affordable, easily obtainable SD cards
Its 21 Mbps PH mode records far higher picture quality than HDV Tape systems
MPEG-2 compression works together with blocks of only 16 X 16 pixels whereas H.264 compression works with blocks down to 4 X 4 pixels. What’s more, AVCHD’s motion prediction is content dependant
Continuous, silent recording of between 3 and 12 hours with Time Date Stamp is a powerful capability
No head wear, alignment or cleaning plus it has a Three Year Parts & Labor Warranty
Lower storage needs & lower distribution costs
HDMI Digital Output, HD Component Output, and selectable SD 16:9 Output (RCA)
28 mm Lens achieves wide angle with no to purchase attachments
Built on the one piece die cast alloy chassis that's compact, well balanced and weighs less than 4.5 lbs. (4.37lbs with Battery, Mic Holder, AG-MC200 Mic and SD Card)
Immediate Playback, random access & ability to preview shots and delete on location
Benefits of AVCHD:
AVCHD is a brand new HD industry standard, tapeless format introduced by Panasonic and Sony and today backed up by over 30 manufacturers (Advanced in compression, color and motion prediction)
It utilizes the AVC High Profile codec- Providing the benefit of equal recording quality at about 50 % the bit rate of older MPEG-2 used in HDV systems. More record time using less storage space
AVCHD content may be played from an SD card in a very growing variety of affordable devices
Content can be edited and rendered to numerous different formats for use on other playback devices
Like Digital Still camera files, AVCHD content files could be transferred to and stored on any affordable, data storage device including HDD, optical discs, flash drives etc. No format specific deck (like HDV 720p or HDV 1080i) is essential for ingest
Ultra Solid state reliability -- Benefits in Temperature, Humidity, Vibration, Maintenance, No Dropouts
No FF or REW, no camera down-time because of clogged tape heads or slipping, hardened pinch rollers
Panasonic’s professional AVCHD camcorders use accessible SD or SDHC cards: 2GB, 4GB, 8GB, 16GB & 32GB whose trend is increasing capacity and decreasing in cost
Longer recording time for capturing uninterrupted, extended events –between 3 and 12 hours depending on bit rate chosen having a 32GB SDHC card
Faster workflow -- like digital photography, no ingest, random use of content, lower storage and distribution costs
AVCHD Editing -- AVCHD editing is now supported on both dual core PC and Intel based Mac platforms and files might be transferred as uncompressed HD video utilizing an easy HDMI to HD-SDI converter. Recently announced AVCHD editing support is available in: Apple iMovie, Apple Final Cut Express, Apple Final Cut Pro 6.0.1 & above, Adobe Premier Pro CS3, Grass Valley EDIUS Pro v4.5, Pinnacle Studio Plus/Ultimate 11 & 12, Nero7 Premium Reloaded, Ulead Video Studio 11 plus and DVD Movie Factory 6 Plus. An available free downloadable transcoder is also available to convert content to DVCPRO HD on our website.

The cooler than cool AG-HMC150 drew big crowds at the 2008 NAB Show. Why? Simply since it provides an uncommon Bang for that Buck, in a 1/3-inch three-chip hand-held tapeless HD camcorder, while retaining the core versatility from the DVX100B. The HMC150 sports a 28mm lens right out of the box along with a new PH Record mode (21 Mbps) which offers higher resolution using a host of recording formats including 24p. Add to that, amazing low light performance, long record and battery some time and professional Audio capabilities at the price that will allow it to be an instant hit having a wide array of AV Shooters, Indie creators and Event video professionals.



Full range of HD formats: 1080/60i, 1080/30p, 1080/24p (Native); 720/60p, 720/30p, 720/24p (Native)
Higher bit-rate recording than consumer models (21 Mbps PH Mode)
13X Wide angle 28 mm lens out of the box (35mm equiv.); 1/3-inch CCD Progressive Imagers
Waveform Monitor, Vectorscope plus two Focus displays for accurate, quick focus
3.5-inch LCD monitor displays thumbnails for quick non-linear access to clips
Full range of HD formats: 1080/60i, 1080/30p, 1080/24p (Native) , 720/60p, 720/30p, 720/24p (Native)
13X Wide angle 28 mm lens out of the box (35mm equiv.) , 1/3-inch CCD Progressive Imagers